Diario del making of de un documental: imaginarios locales de la posdictadura argentina.
Resumo
This article constitutes the diary of a documentary in the making, one that aims to create a cinematic map of the local imaginaries of post-dictatorship transition. The unfolding project it charts uses film as a medium—both its reception by audiences and its creative potential as a mode of documenting and expressing social phenomena artistically—in order to map and produce fresh understanding of the multifaceted and layered, polysemous set of social imaginaries of the memory of Argentina’s civic-military dictatorship and the ensuing post-dictatorship transition to democracy. This cinematic journey into the Dantesque labyrinth of the imaginary unfolds in the liminal space between the imagination and the real. In doing so, intimate lived experience resonates through public displays of trauma and pleasure, taking us into a yet-to-be-defined space that is neither documentary nor fiction.Palavras-chave:
Imaginaries, Documentary, Fiction, Post-dictatorship, ArgentinaReferências
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Richard, N. (2019). Eruptions of Memory. Cambridge: Polity Press.
Shaviro, S. (2010). Post-Cinematic Affect. Winchester, UK/Washington, USA: O-Books.
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Stewart, K. (2007). Ordinary Affects. Durham, NC: Duke University Press.
Strauss, C. (2006). The Imaginary. Anthropological Theory, 6(3): 322–344.
Bruno, S and Carillo, D. (2009). Falsos positivos. CINESUD
Butler, J. (2009). Frames of War. When Is Life Grievable? New York: Verso.
Castilla, E. (2016). Macri, Lopérfido y el retorno de la teoría de los dos demonios. La izquierda diario, January 28, http://www.izquierdadiario.es/Macri-Loperfido-y-el-retorno-de-la-teoria-de-los-dos-demonios?id_rubrique=2653
Castoriadis, C. (1987). The Imaginary Institution of Society. Trans. Kathleen Blamey. Cambridge Massachusets: MIT Press.
Cott, J. (1969). Jean-Luc Godard: The Rolling Stone Interview.
A look behind the lens at the famed French new wave director of ‘Breathless’ and ‘Band of Outsiders’, https://www.rollingstone.com/movies/movie-news/jean-luc-godard-the-rolling-stone-interview-183636/
Dandan, A. (2016). El gobierno lanzó una nueva edición del Nunca Más. Página 12, June 12. https://www.pagina12.com.ar/diario/elpais/1-301566-2016-06-12.html
Dillon, M. (2015). Aparecida. Buenos Aires: Sudamericana.
Feierstein, D. (2018). Los dos demonios (recargados). Buenos Aires: Marea Editorial, 2018.
Gaonkar, D. P. (2002). Toward New Imaginaries: An Introduction. Public Culture, 14(1): 1-19.
Kalinec, A. (comp.) (2018). Escritos desobedientes. Historias de hijas, hijos y familiares de genocidas por la memoria, la verdad y la justicia. Buenos Aires: Marea.
Krause, K. & Jütersonke, O. (2005). Peace, Security and Development in Post-Conflict Environments. Security Dialogue, 35(4), 447-462.
Mac Ginty, R. (2008). Indigenous Peace-Making Versus the Liberal Peace, Cooperation and Conflict, 43, 139-163, DOI: 10.1177/0010836708089080.
Murphy, K. M. (2016). Memory Mapping: Affect, Place, and Testimony in
El Lugar Más Pequeño (2011). Journal of Latin American Cultural Studies, 25(4): 571-595, DOI: 10.1080/13569325.2016.1229659.
Oppenheimer, J. (2012). The Act of Killing. Final Cut for Real; DK.
Perez, M. (2012). Diario de una princesa montonera. 110% verdad, Buenos Aires: Capital Intelectual.
Pittaluga, R. (2007). Miradas sobre el pasado reciente argentino: Las escrituras en torno a la militancia setentista (1983-2005), M. Franco y F. Levin (eds.). Historia reciente: perspectivas y desafíos para un campo en construcción, Buenos Aires: Paidós.
Richard, N. (2019). Eruptions of Memory. Cambridge: Polity Press.
Shaviro, S. (2010). Post-Cinematic Affect. Winchester, UK/Washington, USA: O-Books.
Sosa, C. (2014). Queering Acts of Mourning in the Aftermath of Argentina’s Dictatorship. The Performances of Blood, London: Tamesis.
Stewart, K. (2007). Ordinary Affects. Durham, NC: Duke University Press.
Strauss, C. (2006). The Imaginary. Anthropological Theory, 6(3): 322–344.
